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                    Venicescapes 
                    is committed to promoting a greater understanding of Venice's historical and cultural importance and of its 
	                artistic and architectural heritage through ongoing scholarly research.  Conducted at the pre-eminent 
	                centers for Venetian studies, this research uses a multi-disciplinary approach in order to determine the manner in which various 
	                political, economic, artistic, social, and religious forces all came together to create individual monuments and works of art.
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					   material protected by copyright
 
					  Studi venezianiLXXIII (2016)
 pp. 15-94
 
					  
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					  Custodian of Wisdom:the Marciana 
					  reading room
 and the transcendent knowledge
 of God
 
					  
					  This first-ever complete and detailed study of the 
					  twenty-one roundels that comprise the ceiling decoration 
					  of the Marciana Library is a fascinating window onto the 
					  cultural and political landscape at a critical crossroads 
					  in Venetian history.  The decorative program, conceived to help refashion the 
					  Republic's self-image in the aftermath of its most 
					  crushing defeat, ultimately 
					  presents Venice as the ideal Platonic State, founded upon 
					  the awareness of a transcendent reality and destined to 
					  last in eternity. 
					  published inStudi veneziani
 the international journal of 
					  the
 Istituto di Storia della Società
 e dello Stato veneziano
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                     material protected by copyright
 
					Studi venezianiLXXVII (2018)
 pp. 15-171
 
					
					
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					Ascent to Wisdom:
					
					the Marciana staircase
 and the patrician ideal
 
                    This comprehensive analysis of the esoteric symbols and allegories 
                    that comprise the Marciana Library staircase traces the first steps 
                    in the educational and moral formation of Venice’s future leaders.  Within the philosophical framework of the Neoplatonic ascent of the soul, 
                    the iconographic program conveys the concerns and goals of the Venetian government 
                    in modeling the character of the ideal young patrician and forging temperate and stalwart rulers, 
                    insisting as a conclusion on devotion to family, dynasty, and – above all – patria. 
					  published inStudi veneziani
 the international journal of 
					  the
 Istituto di Storia della Società
 e dello Stato veneziano
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                     material protected by copyright
 
					  Studi venezianiLXXXI (2020)
 pp. 119-199
 
					  
					  
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					  The Myth in Image:Veronese's ceiling in the
 Hall 
					  of the College
 
                      
                      Drawing upon the Renaissance iconographic tradition, this study examines the decorative program 
                      created for the Hall of the College where diplomatic representatives were received in audience 
                      before the Signoria to ‘decipher’ the image of the Republic that the Venetian government wanted 
                      to project to the greater world.  Overall, the program exalts and explains the  political stability 
                      and social harmony of the Republic on the basis of the contemporary political treatises which presented 
                      Venice as the very essence of good government, the living reality and the ultimate perfection of the 
                      classical republican ideal. 
					  published inStudi veneziani
 the international journal of the
 Istituto di Storia della Società
 e dello Stato veneziano
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 part I  -  part II
 
                    
			        slides
                     | Presentation in Italian 
					Il mito in immagine  
					 
					Biblioteca Nazionale Marciana
					 
					
					
					
					20 October 2022
					
 17 November 2022
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                     material protected by copyright
 
					  Studi venezianiLXXXV - LXXXVI (2022)
 pp. 81-182
 
					  
					  
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					  The Supremacy of Faith:Venetian Spirituality
 and Tridentine Doctrine
 in the Sala Capitolare at the
 Scuola Grande di San Rocco
 
                      
                      Applying the organizational principles common to sixteenth-century Venetian painted ceilings 
                      to the vast pictorial cycle of the Scuola Grande di San Rocco, this study represents a significant departure 
                      from previously proposed readings of Tintoretto’s masterwork.   On the basis of a pattern of fixed relationships 
                      between the paintings, the decorative program is presented as a faithful exposition of Tridentine doctrine 
                      and as a part of broader trends aimed at reinforcing religious uniformity and consequently social cohesion in sixteenth-century Venice. 
					  published inStudi veneziani
 the international journal of the
 Istituto di Storia della Società
 e dello Stato veneziano
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			        slides
                     | Presentation in Italian					
                    
                     
					Filone di Alessandrianella Venezia del 500
 l'incontro tra la fede e l'Umanesimo
 
					  
					Scuola Grande di San Rocco 
					
					
					20 September 2023 | 
				
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					|  
 part I  -  part II
 
                    
			        slides
                     | Presentation in Italian 
					Marcianala Biblioteca della Repubblica
  
					 
					Biblioteca Nazionale Marciana
					 
					
					12 October 2023
					
 19 October 2023
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